Am I the only Beexer who's seen this yet?
I MEAN IT. MASSIVE, FILM RUINING SPOILERS BELOW.Fascinating comments from
http://screenrant.com/cabin-in-the-wood ... nk-164763/Quote:
The “ancient gods” are the audience. The international house locations are the various countries that have been submitting regularly to the horror genre in the last decade or so. Granted, Sweden and France probably should have had a bit more of a nod, but the reference makes much more sense in context.
And the whole “eight minutes until sunrise” bit…? Guess what happens eight minutes later? Yup, lights up in the theater. The movie, and the world within it are over…everyone is effectively dead.
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This is precisely what I thought as well. The old gods were indeed we the audience. The monsters that were kept in storage were cinematic echoes of horror movies and not myths or legends. I mean, hellraiser and IT were among the potential killing tools. I was fully expecting at some point the names of Stephen King and Clive Barker to be dropped as former or current employees of the concern that perpetuates the ritual sacrifices working in the “R & D” department.
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Here’s my take:
The “version of Earth” the movie inhabits is actually an allegory for the horror movie industry. The two “writers” guiding the process don’t succeed (setting up a rote premise, but failing the formula), and they unleash the wrath of the legacy of the genre (all of the “famous monsters”) on themselves and the crew, the “director” tries to save things at the last minute by interfering with the story (inside the literal setting of a type of deus ex machina), but she too fails and the entire enterprise is destroyed by the “ancient ones,” the part of the audience’s psyche whose taste for blood must be sated every couple of months by horror films. It casts horror movies as the latest installment in the long-running parade of bloody human morality plays, designed to control behavior by instilling strong notions of a mortal price for deviating from accepted social behavior (sexual promiscuity, ego and hubris as driven by athletic and intellectual prowess, decadent partaking in drugs or alcohol). In short, horror movies and stories appeal to a crowd that believes itself to be deviant but are actually the hatchet men for the socially conservative establishment in a sense, unleashing the worst, pent-up aspects of animalistic human id on those who don’t follow society’s rules. Those who don’t find “religion” in churches get it disguised as carnage in horror entertainment, to the same ends. Religion and Horror both keep adherents in line from different directions, manipulating according to the self-image. The movie’s puns on free will drive this home.
I saw this film at the urging of my wife (a horror movie fan, which I am not) last night and woke up a few times overnight with its themes reverberating in my head and expanding. That’s a remarkable feat, and for that this movie gets a very high score from me. The people sitting around us in the theater complained out loud the entire time and left voicing their wish to get their money back, saying it was dumb and the worst thing they’ve ever seen… they are the figurative “arm of the Gods” that crushes the cabin and movie world at the end.
I think they are correct, and this is how the movie is supposed to be interpreted. The film is, itself, an act of criticism of horror films -- Whedon and Goddard are on the record as thinking modern horror is rubbish and torture porn reprehensible. In some ways, it's even more meta than Scream, although a little less wry about it.
Note that Weaver is credited as "The Director", an interesting double-meaning. And she appears as a classic deus ex machina.
Also worth noting that many of the references to other horror movies are not stereotypical horror cliches (like the werewolf) but are, specifically, other horror films (like IT and the blatantly-actually-Pinhead-from-Hellraiser guy, who is listed in the credits as "Fornicus, Lord of Bondage and Pain"). In other words, I think tCitW is specifically aimed at horror
movies and not horror in general.
I would very much like to have the home version to freeze frame some of the scenes and look for references. The whiteboard with all the monsters on lists "Witches" and then, elsewhere, "Sexy Witches", which is pretty awesome.