This meal and movie Lord Rixondale made home-made cheese burgers, with quality mince and egg packed into tasty patties. Home-made seasoned thick cut chips as well. The film was 'King of Kong' a documentary about the world of competitive video games in the US, namely Donkey Kong. It was a most compelling tale of a genuinely nice-chap contender with a mild case of OCD going up against the reigning Donkey Kong champion. I shall not reveal the twists and turns in this extremely compelling film, but let us say that it played out like a Will Ferrell Dodgeball style film, but for real, and was hugely endearing, a little pitiful and very engaging. Also, two of the people in it reminded me of characters from Trailer Park Boys.
I rate it most highly, an eight out of ten. A must see. Kudos Rixondale!
Edit: Top review here from 'New York Movies', nicely sumarises it with mild spoilers:
ZOMG Spoiler! Click here to view!
Some folks refuse to believe that Seth Gordon's film about two men vying for the title of World's Greatest Donkey Kong Player could be a true story. It's too perfect: the arrogant mullet pitted against the sad dad in a contest adjudicated by self-appointed refs who look like they woke up in a car. No waycould anyone swagger like Billy Mitchell, who talks about himself in the third person while wearing the gaming crown on a head of hair that screams, "Party in the back, bitches!" No waySteve Wiebe really told his crying kid to waitaminute, waitaminutewhile attempting to ascend Mount Dorkus. But, yeah, it's all true—every magical, exhilarating, infuriating, dumbfounding, jaw-dropping second of Gordon's miniature masterpiece. Ostensibly about Mitchell, who began his reign as Donkey Kong world champ in 1982, King of Kongis as much about the perils of hubris and the price of heartbreak; like the trailer says, it's about a loser who wants to be a winner and a winner "who refuses to lose" and comes off looking like an ass. Mitchell's the longtime champ, and Wiebe's the longtime chump—a guy who's failed at everything, save for his marriage and his Donkey Kong mastery, which Mitchell and his cronies fail to recognize—despite all the evidence—when Wiebe breaks Mitchell's record. How Mitchell screws Wiebe, and to what level he's willing to stoop—that's at the heart of The King of Kong, which would play like dark comedy were there not such honest-to-God cruelty at its core.