MetalAngel wrote:
I really like the Dimlies and their character. The expression on the face of the scholar, the unhappy face of the chap on TV, the chef (which reminds me of how on Cooking Without Looking, Max can't see over the counter), the fact there are TWO icons for he-who-shall-not-be-named-for-less-than-£2, the staring goggle eyes of the pukey head, the genuine anguish of the crying man, the Mimi-esque overcome-with-glee of the happy, and the sheer distortion of the raging one.
I think the slight angle they're on only makes them better.