Window on the World
"Come here, let me show you something," and he pulled her to the top of the embankment, swayed a moment with a foot upon the rail, then pulled her across and down to the fence. He stared across a long, scrubby, moonlit garden that held a broken fridge, spilling its guts of broken toys and dirty plastic bags out over the lawn. She kept glancing nervously, left and right, up and down the silent tracks.
"We've a good sixteen feet clearance. Perfectly safe. Look, Becky," and he pointed at the bottom window, lit with a strange flat brightness from within. He pulled out a pair of binoculars, and stared through them eagerly, almost hungrily.
"It's a window, John," she sighed, sleepily.
"No, no, look closer. Look inside." And John handed her the glasses. "See the people? She's washing dishes, wearing a floral apron - did you ever see anyone today wear anything like that? And the man, he's wearing a tanktop... and look at those spectacles, and that pipe."
She held the glasses to her eyes, snatched a glance, and turned back to him. "So?"
"So?" John snapped. "So? Just look, deeper. Soak in the detail of that place."
"This is creepy, really. Too creepy, you're a voyeur John."
He laughed curtly. "Oh yeah, I get a kick out of watching women wash up. This is something else, Becky. Something... something quite beautiful. And I need you to understand this, because it's really special to me. Please, look..."
She gazed into the kitchen. They were talking, smiling. The man had thick black hair, the tanktop the green she associated with garden sheds and watering cans, his spectacles with lenses a perfect circle. He looked so much like an earnest young left wing writer out of the BBC archives, and the woman... her oval face and brown unfussed hair, beads around the neck and her slightly oriental shirt... she reminded Becky of someone out of that old sitcom, from the seventies... the one about...
She dropped the glasses and they clattered against the edge of the wooden fence, swung against her chest. "So... so they're those people. The sort who like to live retro lives." She laughed, suddenly, with relief, "You know, the types that watch, "Hey! It's the Seventies!" and plan fondue parties. They're very funny John... thank you," she whispered, pulling the glasses to her eyes again.
He shook his head. "Fifties actually, I've checked, and no, that's not it at all. I think you know it too. Look at that garden, it's a shit-hole Becky. I've watched the current owners in the garden in my morning commute, completely different people. You know I hate the 'c' word, so I'm going to call them trash instead; a balding fat fuck with a can in his hand, four screaming kids with bits of wood and crowbars smashing that fridge there. Sometimes they turn to throw stones at the train. But at night, after work, when I swing past in the moonlight, the others live there. Those good people."
She stared harder and harder, turned her examination upon the upstairs bedrooms with the orange curtains, tied back flush against the frames, and with a surprise that dawned upon her slowly, open windows. And that same strange light. "They must spend a lot on heating."
"It's daytime inside." He said it matter-of-factly.
She started, stepped back sharply from the fence, let the glasses fall and put a hand to her mouth with a low moan.
He stared forward, kept staring, a fierce desire burning within him - a desire to be somewhere else, somewhere idyllic. With a dreamlike voice he spoke, softly, yearningly, "Before the suburbs behind us came about. Before they paved over the hills and old built a Tesco Extra on old Goose Hill. When there were no more than a half dozen cars to each avenue and street. Listen carefully Becky, can you hear the radio... it's... I don't know what it is... but they're talking about Eden. It's all about Eden."
Her eyes started wildly over the impossible windows, no need for the glasses now, the details were tearing at her - the ducks upon the wall like at her grandmother's, greens and greys and flapping their way across the yellow wallpaper. The porcelain dogs upon the windowsill, the faded National Rail poster, the more she stared the more she felt herself being drawn in, the more tangible the feeling of a shimmering mass of an impossible time at the foot of a long, ruined garden. Items out of sight welling up and jumbling into view, climbing through the windows at her - jigsaws and newspapers and a wireless set and old soaps and bottlegreen socks and brylcream and Penguin books and... and... and...
"Oh! Not quite, the radio, it's about Anthony Eden!" he exclaimed, in amused delight. "Still, I've been looking so long. Looking so long. So strange when I first realised, I thought I was going to be sick," and he was blabbering now, hands clasped together like a pilgrims, "... so strange it was, so strange. And yet beautiful, the land of my fathers. Just think, a land of a million corrugated Anderson shelters... but as musty sheds, and push-lawnmowers, and... and allotments! And tomorrow, I'm going round, for the first time, yes going round, to visit."
She screamed. She screamed and staggered backwards, flailing her way up the embankment. She never saw it coming, never heard, and the scream was cut off as the train piled into her, pulling her away, away, away up the tracks and into the modern land.
He never heard her, he was being pulled in another direction, and the people at window; the man who tamped his pipe, and the woman who scrubbed, well, they just smiled, looking out across their lawn, their perfect, beautiful lawn, and the steam engine that chugged its way up the narrow gauge, so like the one on the poster upstairs.
_________________ "Peter you've lost the NEWS!"
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