Kern wrote:
The second half is taken up with Per Nørgård's 3rd Symphony. I've never heard of him or the piece, so going in blind and no expectations other than
the blurb, which promises
'glowing microtones and thick, textural beauty'.What I do know is that if I turned on the radio part way through, I'd have immediately turned it off again. Random sounds, phrases and passages that start promisingly but then don't go anywhere or are swamped by dissonance, chanting, and all the other stuff that gives 20th century music a bad name.
And yet, I sat transfixed throughout. I enjoyed the loud deep droning of the organ (I don't think I've ever appreciated how big and dominating the organ in the Royal Albert Hall is until now), the unexpected sounds, phrases, and synapses of almost-but-not-quite melody. I didn't notice the time passing and the 50 minutes seemed to fly by.
I'm going to have to relisten because ever since it ended last night I've been struggling to really decide what I actually think of it, how any of it fitted together or, heck, even if I actually enjoyed it. I'm still ruminating on it now, trying to make sense of it all.
The composer was at the concert and took a bow with the conductor at the end, which was nice.