Squirt wrote:
I used to have Gus Honeybun's autograph somewhere.
Out of interest Chinny, who profits now from something like Downton Abbey being an international success? As far as I can tell the BBC rakes in the mega bucks from things like Doctor Who and Top Gear, but presumably the profits from successful ITV shows go elsewhere if they're not being developed in-house.
Depends on the deal they strike with the production company. ITV may get nothing or they may get a share. May depend on how much ITV are paying.
Obviously ITV still have some production capacity in house. You'll see an "ITV Studios" caption at the end of a show produced internally. They still have studios at the former LWT building, and in Manchester. I think Yorkshire is being wound down aside from Emmerdale Farm. But the days of Birmingham having both a proper BBC and ITV studios are over which is a fucking disgrace. Also all the regional facilities are now just tiny. In the case of Meridian News its just a industrial unit off of the M27.
The good thing about the old days was the network was made up of lots of different companies and they competed against each other furiously which upped the quality of output.
Although this competition could sometimes work against it. In the case of Robin Of Sherwood it was produced by HTV and Goldcrest Films (the people who made Chariots Of Fire) + funding from the A&E Network in the USA. Sherwood was a hugely expensive show. With inflation it would put Doctor Who/Merlin/the new Robin Hood to shame. But Goldcrest was rolling in the cash of their huge film successes and knew a massive international hit when they saw it. It was also a show destined for the A-Team Saturday night slot which in those days meant huge ratings.
And indeed Sherwood was a huge hit for ITV and internationally. However Goldcrest had some massive film flops that caused the company to collapse and there was no money to continue after series 3. All the profits had been swallowed up. What to do? HTV were a tiny ITV company and even with the A&E money they simply couldn't to make it.
HTV then asked around other ITV companies and nobody would touch it with a bargepole. Odd given it was a huge Saturday night hit for the network and was surely good for another couple of years.
Years later the series creator was at a party with an ex-LWT exec and he asked why nobody wanted Sherwood when it was such a huge hit. The answer was that LWT would
never contemplate co-producing with another ITV company under any circumstances and that in anycase there was huge resentment that some tiny company had a huge international hit on their hands. Better to turn their backs on it.