Hmm, tough decisions, and on my pleasant walk today I've been ruminating hard on what to choose. I've stared a bit longer and here are my thoughts:
(ALERT: All these comments are strictly IMHO and I fully realise that I am repeatedly wrong on such things. Don't base your own judgements on my comments, but on the photos themselves! You will see stuff I've missed, or wonder why I've blithered on about something that looks perfectly well-placed.)
1, 7 & 10:
Fast flowing streams make good subjects, especially in woodland, but they are surprisingly tricky to pull off. The danger areas are over-exposure and noise, and a lack of focus - as it's tempting to get as much vegetation and river-bank feature and water in as much as possible. This results in a cluttered, unfocused feel and the thousands of leaves, thin twigs and woodland litter can make a bitty, noisy image unless carefully shot and lit. I made bad mistakes for a fair while trying them, but it is trial and error and nowt's lost by experimenting with them. I still haven't cracked them, but I'm getting there.
Photo seven has a grey/white sky and over-exposed landscape/horizon behind the curve of the bridge. On grey days even if sunny, it's best to keep as much if not all of the cloud bank out as possibly. This has been attempted, but I would personally have sacrificed the top of the bridge and concentrated on the arch and the water underneath. A clever technique even on auto (which I use more often than not on my camera, as it can usually be trusted to get results) is to focus on a light colour if you want a darker shot and then pull the frame over the shot you want before fully clicking. This will balance the colours more. The reverse goes if the shot is too dark, aim for the darkest point and pull over and it will have a lighter colour balance.
Photo ten has a good idea in holding a sort of V shape frame of the water, boxing it in. Again though, the light is a little washed out and the framing isn't quite right - tricky because of the noisy elements. The colouring and shading near the rocks are good though. I might have tried zooming in more on the rocks and seeing if I could get a good little rocky nook with trickly water shot, or tried shooting with the lens poking through the leaves. With features like these 3 shots, I find getting as close to the ground as possible and emphasising the riverbank and bulk of the water in the shot at the expense of the surroundings sometimes works too.
Photo One is a solid angle to go for, but the distraction of the pathway doesn't really add anything and the empty water of the lower part and the cluttered distant horizon of the river marrs it. Also, grey/white sky again. I would personally have zoomed in to have pure river-bank and river around the rocks, and played with the light-focus until a rich, smoother shot came along. It is a tough location to shoot on though, so kudos for risking it.
Keep at it though. Water's one of the trickiest elements. Grrr.
Photo 2:
I really like the overhanging branches against the sky, it's a good twilight colour as well. The lights are warm as well, but at the same time the image is a little mysterious and threatening. Good atmosphere. It's a shame that the bottom of the picture loses it a bit as the curtain doesn't quite fall to the bottom. I would have chopped say the bottom 5th a cm below the shimmering reflected lights. I might have chanced lightening the background beyond the branches as well in photoshop to make it stand out a bit more. But that may have proved impossible. I might tinker myself and see what I can do. I like this one though, it's got a good atmosphere. It needs to be boxed a bit more, and maybe there could be more water with a lower angled shot (though that may have ruined the branches idea to reposition) but I like it.
Photo 3:
This one grows on me the more I see it. The first time I saw it I wished it had been cropped a little more at the top and bottom. And thought that it was pretty interesting, but not the strongest contender. The more I look at it the more I like however. It has an alien landscape feel, with the sharp light blue and the grainy sand mounds almost being a full blown dune-sea. At the same time it works in a literal sense as well, and the grain of the sand against the sheen of the water is a really nice contrast. Aside from a bit of possibly needed cropping of top and bottom (which ironically might be detrimental to my landscape notion) this photo is a really front-runner.
Photo Four:
At first this was my favourite. I like the strong vibrant comic-book blues of the sky and sea, contrasted with the rugged coast. There's a strong dynanism to the shot as well, and the sweep of the sea works nicely with the curve of the hill. The only problem is the middle ground which seems too squashed in the image by being on the strict half line. I would have kept two-thirds coast and one third choppy sea I think, but that would have lost some of the interesting surf. A tricky problem! I love the colour and the lighting though.
Photo Five:
Another strong photo. The sunset of the sky is beautiful. The reflections on the water are well clarified too. The only flaw is that it's a bit difficult with the pure silhouette as to be sure what precisely you're looking at. It's definitely a bridge on first glance, but there's a frustrating lack of detail. Again though, I can't work out how I'd fix it. Maybe I would have gone for a portrait shot - I do have a fondness for them even with subjects that make landscape shots. I would have focuse this on the bridge's middle section, keeping the bank edge at the bottom and a little less sky at the top, so the orange is more emphasised. The rooftop and reflected window on the left are nice, but not essential in my opinion - so I'd go "This is a fuck-off nice bridge and warm glowy light reflection" type portrait.
Photo Six:
Modernism! Progression! Man's inhumanity to man! I like this one almost because of the 'fuck-it, I like 'em' mistakes and the polaroid feel. The no-no of the photographer in the picture and the two jarring elements and the blur and the discordence. It's not automatically clear what you're looking at and its a bit cluttered but the style limits the damage done by the washed out sky and it's a bit different. Should have been a bit more symetrical half-and-half though, a little more towards the left.
Photo Eight:
Hard decision this one. One that makes you go 'coo' when you first see it, for the extreme loveliness of the subject matter and amazing richness of colour. The framing and action is a bit off though. It really needed to be taken a few steps forward, reducing the rocks and shingle to a third and opening up the lake a bit. (Could that be done, though? Or would it remain a narrow strip despite the angle. The rocks are really nice though so it'd be a shame to miss the water fringe ones. A few more seconds to allow the swans to get closer to the centre, and shot closer up, or better yet on the left or even out the picture would have made a positive difference too, with less clutter and more clarity that way. But the reflections are beautiful, the light amazingly well judged and picture has a rich feel. It's just the framing and the timing and the lack of decisive focus that makes it a little sterile though. So close though! Whoever took this one is going to win sooner than later, me reckons.
Photo Nine:
Fish, and very nicely shot fish too. Definition is great and I'm impressed with the shale too. Image could have been cropped a bit, losing a strip along the left. It's a pleasant, relaxing picture with some good colour. A bit limited maybe and windows-screensavery though. Good contender this one, but not the winner for me. Still, I'd be pleased to call a shot like that my own. I'm crap at macro.
After agonisingly strong head-scratching:
NUMBER THREE IS THE WINNER!
(Nice watery font there.)
Yup, the sheer is-it-a-Doctor-Who/Kim Stanley Robinson-landscape or is it just some beach taken close up nature of this photo really pleases me. And others too apparently. Kudos!
And an honourable mention goes to number two for the idea - I think you should try some more and see if you can pull it off. I'm going to try a similar shot next time I'm out and about for twilight photog.
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