Homicide: Life on the Street...
This is a show that started more on the ball than any other in any TV show I can think of - and I think I include The Wire in that. For The Wire perhaps threw too much at the viewer in the first episode, allowed no easy window. Homicide not only manages that, but opens with one of the bleakest and most devastating cases of the entire run and yet balances it with such humour, insight and humanity amongst its cast of characters that you want to stay with them.
The wise heads of the internet state that series 1 and 2 are the best, and from memories on what I saw of and heard about the latter seasons - although containing the odd gem - I suspect this may be the case. Essentially 1 and 2 are realistic, slow burning and idiosyncratic. Series 3 begins to tamper with a winning formula that was ironically proving bad for ratings, and swing it towards a show with a younger, more characters-with-problems element. In essence it became less real, less about the civil servants who solve crimes and try to cling on to humanity and more about handsome, dramatic, younger detectives having shocking plot developments like getting shot, going undercover, facing corruption charges, etc.
Series 1 and 2 only lasted 13 episodes combined, series 3 lasts 20. By series 4 and 5 the episodes were straining reality a little (though nowhere to the degree of CSI or even NYPD, the show was relatively honest) and by five through seven had replaced great character actors with young ratings-garnering and rather uncharismatic, boring lookers.
If you've never seen the show then definitely buy the UK DVD of 'Series 1', which is actually '1 & 2', and then if you like go for series 3 which is very good, but feels to me a slight betrayal of the values of the superlative preceding episodes.
Homicide had at its start an amazing cast. Yaphet Kotto as the fatherly, passionate, Sicilian blooded African American who is protective of his detectives. Ned Beatty is the sentimental, patriotic and hapless old veteran who is the best detective on the force, paired with Richard Belzer as John Munch, a cynical, taunting Bill Hicks type. Andre Braugher burns up the screen as Pembleton, the supercilious, coldly intelligent and alienating lone wolf. Jon Polito as Crosetti, the little 'salami brain' with his arcane obsession for conspiracy theories and his friendship with his Meldrick, the down to earth warm hearted guy played by the vastly under-rated Clark Johnson. Then there's force rookie Tim Baylis played by the fresh faced Kyle Secor, who's hopelessly naive if determined. Rounding of the cast there's Daniel Baldwin as Beau Felton, a detective great with banter but discovering that his home life is being torn apart by his work and finally the tetchy, open-hearted, sardonic, spiky, wonderful Kay Howard played by the staggeringly excellent Melissa Leo.
Once that cast began to leave the show, it was doomed frankly. But while it lasted, Christ it was brilliant.
Why am I posting this now? I've just seen the devastating Series 3 Episode 4, simply titled 'Crosetti', and I cried.
ZOMG Spoiler! Click here to view!
The bit where Meldrick takes Crosetti's Yo-Yo out of the drawer.
Homicide, best straight forward cop show without a doubt. Sure, The Wire's better - but that's not really a cop show, is it?